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Mohammad Reza Aslani is a highly influential and pioneering Iranian filmmaker, screenwriter, poet, and art researcher, born in Rasht, Iran in 1943. He is a prominent figure of the Iranian New Wave cinema, known for his avant-garde and intellectual approach to filmmaking. Aslani's works often explore complex themes rooted in Iranian culture, history, and art, characterized by a unique visual style and poetic narrative. He began his filmmaking career in the 1960s. Despite facing significant challenges, including censorship which led to his seminal work 'Chess of the Wind' (شطرنج باد) being banned for decades, his contributions to cinema have earned him critical acclaim both domestically and internationally, cementing his legacy as a visionary artist. The rediscovery and restoration of 'Chess of the Wind' in recent years brought his work to a new global audience.
Mohammad Reza Aslani's work history includes a series of influential roles in various companies. Here is a detailed list of his professional journey:
Recognized as one of the key figures who shaped the Iranian New Wave movement, particularly with his experimental and art-house films that pushed cinematic boundaries in Iran from the 1960s onwards.
His 1976 film 'Chess of the Wind' was lost/banned for decades after the Iranian Revolution, then rediscovered and meticulously restored in 2020. Its subsequent screenings at prestigious international film festivals like Cannes Classics and the Il Cinema Ritrovato festival brought widespread critical acclaim, recognizing it as a masterpiece of Iranian cinema.
His early influential documentary 'Hassanlou Cup' (1966), focusing on an ancient archaeological find, showcased his unique artistic vision and garnered attention, setting the stage for his distinguished career in both documentary and fiction filmmaking.
Beyond filmmaking, Aslani has contributed significantly to film theory and education in Iran, influencing generations of filmmakers through his writings and teachings.
Islamic Azad University - Year 1998
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